{"id":5567,"date":"2021-08-29T14:19:56","date_gmt":"2021-08-29T18:19:56","guid":{"rendered":"https:\/\/melindaozel.com\/?p=5567"},"modified":"2025-02-20T23:46:39","modified_gmt":"2025-02-21T04:46:39","slug":"animation-tips-for-smiles","status":"publish","type":"post","link":"https:\/\/melindaozel.com\/ms\/animation-tips-for-smiles\/","title":{"rendered":"Petua Animasi Untuk Senyuman"},"content":{"rendered":"
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Terlalu banyak senyuman yang mengetatkan penutup<\/h2>
Terdapat klise biasa dalam animasi: pemampat penutup<\/em> senyuman.<\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Dalam kehidupan sebenar, tiada satu cara yang betul untuk menyampaikan senyuman, dan Cara kita tersenyum berbeza pada peringkat individu dan kontekstual.<\/a>. Walau bagaimanapun, dalam animasi khususnya, terdapat kecenderungan untuk menekankan secara berlebihan bahagian tengah kelopak mata bawah apabila cuba menyampaikan ekspresi berasaskan kegembiraan.<\/span><\/div><\/div>
\u00a0<\/div><\/div>
Sebahagian besar ekspresi yang benar-benar berpunca daripada kegembiraan mempunyai dua pergerakan muka utama: pengangkat pipi<\/em> dan penarik sudut bibir<\/em>. Walaupun salah satu atau kedua-dua komponen ini mungkin tiada, kita cenderung menganggapnya asli apabila kita melihat kedua-duanya.<\/div>
\u00a0<\/div><\/div>
Sementara pemampat penutup<\/em> senyuman menggunakan otot yang sama seperti pengangkat pipi<\/em> smiles, penekanan pada deformasi dan pergerakan adalah berbeza. Seperti yang dibincangkan di sini<\/a>, pengangkat pipi<\/em>\u2018Penekanan utamanya adalah pada sudut mata sisi dan pipi, mewujudkan mampatan seperti mencubit di sekitar mata; pencahaya penutup<\/em> Biasanya memberi tumpuan pada kelopak mata bawah, mengarahkan pergerakan ke atas dan ke arah dalam ke sudut dalaman mata.<\/div><\/div>

Mengelakkan Kliem<\/h2>
Kecenderungan untuk membesar-besarkan pemampat penutup<\/em>Sifat-sifat seperti itu pada saat-saat yang dimaksudkan untuk menyatakan kegembiraan atau sentimen menghasilkan raut muka yang terlalu hampir dengan ekspresi \u201csmizing\u201d yang terkenal. Raut muka sedemikian mungkin memuaskan Tyra Banks, tetapi ini bukan America's Next Top Model.<\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Pada masa hadapan, kami berharap dapat berpeluang melihat lebih banyak lagi. pengangkat pipi<\/em> dalam watak animasi. Walaupun seorang artis meninggalkan pergerakan pipi (yang boleh diterima untuk 2D tetapi tidak untuk 3D), masih mudah untuk menyampaikan pemencetan sisi.<\/div>
\u00a0<\/div><\/div>
Tujuan panggilan ini bukan untuk mendakwa semua senyuman animasi perlu dibuat dengan cara tertentu setiap kali. Kepelbagaian dan kreativiti adalah sangat penting. Namun, pada masa ini terdapat sedikit kepelbagaian dan terlalu banyak pose biasa yang sering membuat watak kelihatan tidak ikhlas dan klise.<\/div>
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CATATAN<\/strong>: <\/strong>Ini bukan deklarasi untuk mengutamakan anatomi berbanding stilisasi. Ia adalah kritikan terhadap satu aliran yang boleh mendapat manfaat daripada sedikit variasi. Lagipun, adalah mungkin untuk menjadi kedua-duanya menarik. dan<\/em> Ikuti prinsip persepsi ekspresi.<\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Mencapai penampilan \u201cmata tersenyum\u201d yang tepat pada watak anda boleh menjadi mencabar \u2013 melainkan anda tahu bagaimana otot orbicularis oculi berfungsi.<\/p>","protected":false},"author":60486633,"featured_media":5577,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[676756913,676757176,676757187,676757045,676757036,676757039,676757037,676756915,676757008,676757038,676757047,676757188],"tags":[],"class_list":["post-5567","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-action-units","category-animation","category-art","category-au12","category-au6","category-au7","category-cheek-raiser","category-facial-expressions","category-free","category-lid-tightener","category-lip-corner-puller","category-orbicularis-oculi","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"yoast_head":"\nAnimation Tips For Smiles - Face the FACS | Facial Expressions in Animation, AI, & Behavior<\/title>\n<meta name=\"description\" content=\"As an animator, nailing the "smiling eye" look in your characters can be challenging - until you know how the orbicularis oculi muscle works.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/melindaozel.com\/ms\/animation-tips-for-smiles\/\" \/>\n<meta property=\"og:locale\" content=\"ms_MY\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Animation Tips For Smiles\" \/>\n<meta property=\"og:description\" content=\"As an animator, nailing the "smiling eye" look in your characters can be challenging - until you know how the orbicularis oculi muscle works.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/melindaozel.com\/ms\/animation-tips-for-smiles\/\" \/>\n<meta property=\"og:site_name\" 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