{"id":5567,"date":"2021-08-29T14:19:56","date_gmt":"2021-08-29T18:19:56","guid":{"rendered":"https:\/\/melindaozel.com\/?p=5567"},"modified":"2025-02-20T23:46:39","modified_gmt":"2025-02-21T04:46:39","slug":"animation-tips-for-smiles","status":"publish","type":"post","link":"https:\/\/melindaozel.com\/fr\/animation-tips-for-smiles\/","title":{"rendered":"Conseils d'animation pour les sourires"},"content":{"rendered":"
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Trop de sourires pour le resserrement des paupi\u00e8res<\/h2>
Il existe un clich\u00e9 courant dans l'animation : tendeur de couvercle<\/em> sourires.<\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Capitaine\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Dans la vie r\u00e9elle, il n'y a pas qu'une seule bonne fa\u00e7on de communiquer un sourire. les fa\u00e7ons de sourire varient \u00e0 la fois sur le plan individuel et sur le plan contextuel<\/a>. Cependant, dans le domaine de l'animation en particulier, on constate une tendance \u00e0 surestimer la paupi\u00e8re inf\u00e9rieure m\u00e9diane lorsqu'il s'agit de communiquer des expressions de joie.<\/span><\/div><\/div>
\u00a0<\/div><\/div>
Une grande partie des expressions authentiques bas\u00e9es sur la joie poss\u00e8dent deux mouvements faciaux cl\u00e9s : lever de joues<\/em> et extracteur de coin de l\u00e8vre<\/em>. Bien que l'une ou l'autre de ces composantes puisse \u00eatre absente, nous avons tendance \u00e0 supposer l'authenticit\u00e9 lorsque nous voyons les deux.<\/div>
\u00a0<\/div><\/div>
Alors que tendeur de couvercle<\/em> les sourires emploient le m\u00eame muscle que lever de joues<\/em> sourires, l'accent mis sur la d\u00e9formation et le mouvement est diff\u00e9rent. Comme l'a montr\u00e9 ici<\/a>, lever de joues<\/em>L'accent est mis sur les coins lat\u00e9raux de l'\u0153il et les joues, cr\u00e9ant ainsi une compression autour des yeux qui ressemble \u00e0 un pincement ; \u00e9claircisseur de paupi\u00e8res<\/em> tend \u00e0 se concentrer sur la paupi\u00e8re inf\u00e9rieure, en dirigeant le mouvement vers le haut et vers l'int\u00e9rieur du coin de l'\u0153il.<\/div><\/div>

\u00c9viter les clich\u00e9s<\/h2>
La tendance \u00e0 l'exag\u00e9ration tendeur de couvercle<\/em>-L'utilisation de qualit\u00e9s semblables \u00e0 celles de l'homme dans des moments destin\u00e9s \u00e0 exprimer le bonheur ou le sentimentalisme se traduit par un regard un peu trop proche de l'inf\u00e2me expression \"smizing\" (sourire). Un tel look peut plaire \u00e0 Tyra Banks, mais nous ne sommes pas dans l'\u00e9mission America's Next Top Model.<\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u00c0 l'avenir, nous aurons, nous l'esp\u00e9rons, le privil\u00e8ge de voir plus de lever de joues<\/em> dans les personnages anim\u00e9s. M\u00eame si l'artiste omet le mouvement des joues (ce qui est acceptable pour la 2D mais pas pour la 3D), il est toujours facile d'exprimer le pincement lat\u00e9ral.<\/div>
\u00a0<\/div><\/div>
Le but de cet appel n'est pas de pr\u00e9tendre que tous les sourires anim\u00e9s doivent \u00eatre r\u00e9alis\u00e9s d'une mani\u00e8re sp\u00e9cifique \u00e0 chaque fois. La vari\u00e9t\u00e9 et la cr\u00e9ativit\u00e9 sont primordiales. Cependant, \u00e0 l'heure actuelle, il y a peu de vari\u00e9t\u00e9 et une abondance de poses classiques qui donnent souvent l'impression que les personnages ne sont pas sinc\u00e8res et qu'ils sont banals.<\/div>
\u00a0<\/div><\/div>
NOTE<\/strong>: <\/strong>Il ne s'agit pas d'une d\u00e9claration visant \u00e0 privil\u00e9gier l'anatomie par rapport \u00e0 la stylisation. Il s'agit d'une critique d'une tendance qui pourrait b\u00e9n\u00e9ficier d'une certaine variation. Apr\u00e8s tout, il est possible d'\u00eatre \u00e0 la fois s\u00e9duisant et stylis\u00e9. et<\/em> suivent les principes de la perception des expressions.<\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Il n'est pas toujours facile de donner \u00e0 vos personnages l'air de sourire, sauf si vous savez comment fonctionne le muscle orbicularis oculi.<\/p>","protected":false},"author":60486633,"featured_media":5577,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[676756913,676757176,676757187,676757045,676757036,676757039,676757037,676756915,676757008,676757038,676757047,676757188],"tags":[],"class_list":["post-5567","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-action-units","category-animation","category-art","category-au12","category-au6","category-au7","category-cheek-raiser","category-facial-expressions","category-free","category-lid-tightener","category-lip-corner-puller","category-orbicularis-oculi","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50"],"yoast_head":"\nAnimation 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